传统文化视域下中国书法的内在精神  

On Spirit of Chinese Calligraphy under the Background of Traditional Culture

作　　者：付威 Fu Wei(College of Fine Arts,Shanghai Normal University,Shanghai200234)

机构地区：[1]上海师范大学美术学院,上海200234

出　　处：《沈阳师范大学学报（社会科学版）》2020年第6期110-115,共6页Journal of Shenyang Normal University(Social Science Edition)

基　　金：辽宁省社会科学规划基金重点项目(L19AZX002);上海师范大学文科培育项目(310-AC7031-20-003017)。

摘　　要：时代有其必然的文化追求,文化中蕴含着内在精神。中国书法是中国传统文化的现象生成。书法文化主导的价值既是民族的,又是传统的,同时也是时代的,它影响着书法文化发展的方向和潮流。书法的内在精神有它存在的精神状态、精神内质与精神超越:精神的状态,即以“平静的理性”塑造了书法美的“形式”,以“活泼的感性”创造了书法美的“内容”,二者呈现的是相互交融的精神状态;精神的内质,即通过真、善、美的统一完成书法所追寻的内在永恒不变的崇高;精神的超越,即书法创作者通过对对象“确定性”的不懈追求不断提高本身的精神境界,以此达到意性的解放。The era has its inevitable cultural pursuit,which contains the inner spirit.Chinese calligraphy is a phenomenon of Chinese traditional culture.The dominant value of calligraphy culture is not only national,traditional,but also contemporary.It affects the direction and trend of the development of calligraphy culture.The spirit of calligraphy has its existing spiritual state,spiritual essence and spiritual transcendence.Firstly,the spiritual state,that is to say,“calm rationality”shapes the form of calligraphy beauty,and“lively sensibility”creates the content of calligraphy beauty.Secondly,the inner quality of spirit,through the unity of truth,goodness and beauty completes the inherent eternal loftiness pursued by calligraphy.Thirdly is the spiritual transcendence,and the calligrapher constantly improves his spiritual realm through the unremitting pursuit of“certainty”of the object,so as to achieve the emancipation of the meaning.

关 键 词：中国书法 内在精神 精神状态 精神内质 精神超越 

分 类 号：J292.1[艺术—美术]