《格列佛游记》——18世纪英国讽刺与社会想象  

作　　者：胡振明[1] 

机构地区：[1]对外经济贸易大学

出　　处：《复旦外国语言文学论丛》2020年第1期106-112,共7页Fudan Forum on Foreign Languages and Literature

基　　金：国家社会科学基金青年项目“18世纪英国小说与文学公共领域的建构研究”(批准号12CWW022)阶段性研究成果。

摘　　要：18世纪英国文学大师斯威夫特在其个人代表作《格利佛游记》中直面人性与社会之恶。他用讽刺创建了双重镜像,即作品中虚构他者的故事印照的是现实个人言行,被讽刺的人与事则是具化的社会普遍现象。同时,讽刺成为作者臧否社会现象的实施手段,也是读者在阅读顿悟愉悦中了解自我、他者、社会三者关系的实践载体。斯威夫特将具有主体性的个人叙事与拥有公共性的社会现象/共识融合,在文学镜像中建构了社会想象,这也成就了这部英国讽刺文学巅峰之作。Jonathan Swift, the great writer of the 18 th-century England, aimed to confront readers with the human and social vices in his masterpiece Gulliver’s Travels. He used satires to create double mirror images, namely the mirror image of actual performances of individuals in the fictional narratives, and the mirror image of concrete social phenomena in the satirized objects. In the meanwhile, satires have become the measures through which the writer aired his social criticisms, and readers came to appreciate the interactive relationships between self, other, and society in the pleasure of reading. Swift integrated the individual narrative with the subjectivity into the social phenomena or consensus with the publicness, and created the social imagination in the literary mirror image, which ushered in the most remarkable work of satires.

关 键 词：《格列佛游记》 斯威夫特 18世纪 讽刺 社会想象 

分 类 号：I561.074[文学—其他各国文学]