环秀山庄假山理法研究  

Study on the Rockery Design Methods of Huanxiushanzhuang Garden

作　　者：孟凡玉[1] MENG Fanyu

机构地区：[1]北京林业大学园林学院,北京100083

出　　处：《中国园林》2020年第9期133-138,共6页Chinese Landscape Architecture

基　　金：“苏州园林传承与创新及香山帮研究”课题(编号SZS201604)孟兆祯工作室同仁集思广益之见;苏州园林局、园林设计院对课题组研究工作的支持。

摘　　要：《园冶·掇山》篇总结的"有真为假,做假成真"是中国传统园林假山理法的核心要义,概括了从摹仿真山到通过提炼、概括、局部扩大来再现真山的创作方法。以戈裕良所掇环秀山庄假山为例,探讨其如何"有真为假",尽显太湖石造化之功的同时又写仿苏州大石山个性之美;并研究其如何在画论、画意引导下,"集零为整""以小见大",形成从整体贯穿到局部的生动气韵,最终在咫尺之地产生宛若自然甚至高于自然的山林之感。"To design rockery based on the essence of real mountains,and produce an artificial work hardly distinguishable from the natural one",summarized in the Duoshan Chapter of Yuan Ye,is the essential of Chinese traditional garden rockery design methods.It summarizes the creative methods from imitating mountains to reproducing the real mountains by refining,generalizing and expanding in part.In this paper,taking the Huanxiushanzhuang Garden rockery by Ge Yuliang as an example,the author explores how it can be"true to artificial"to show the achievements of Taihu Lake fossilization and to imitating the beauty of personality of Dashi Mountain in Suzhou.At the same time,it studies how to form a vivid charm from the whole to the part under the guidance of painting theory and artistic conception,with multiple techniques of"integrating parts into a whole"and"affording wide views in a small confined space",eventually producing a sense of nature or even higher than nature.

关 键 词：风景园林 传统园林 戈裕良 掇山 写仿自然 画意造园 

分 类 号：TU986[建筑科学—城市规划与设计]