从集唐下场诗看传奇作家的唐诗接受——以明中期至清初传奇为范围  

Chuanqi Drama Writers'Reception of the Tang Poetry from the Perspective of Jitang Epilogue Poems--Based on Chuanqi Dramas from the Mid Ming Dynasty to the Early Qing Dynasty

作　　者：王亚男[1] WANG Ya-nan(Department of Chinese Language and Literature,Peking University,Beijing 100871,China)

机构地区：[1]北京大学中文系,北京100871

出　　处：《西华师范大学学报（哲学社会科学版）》2020年第5期54-60,共7页Journal of China West Normal University:Philosophy & Social Sciences

摘　　要：明中期始,传奇剧本中逐渐兴起使用集唐下场诗的写作风潮,一直到清初仍有延续。这为研究传奇作家的唐诗接受情况提供了重要的资料库。从集唐下场诗的引诗情况来看,不同诗人诗作被引用频率具有明显差异,呈现出受唐诗流传情况、诗作风格和剧本选诗要求等主客观因素影响。非唐人诗句的引用,反映了传奇作家在唐诗记忆上的出错及唐诗传播中存在的讹误现象。引诗需要贴合剧情,因而传奇作家需要从意象和字面义等角度挖掘诗句的意义可能,并关注诗句内部情蕴与戏曲语境的共通。这也促进了冷门作品被“重新发现”。Since the middle Ming dynasty,the writing trend of using Jitang epilogue poems gradually arose in Chuanqi dramas,and it continued until the early Qing dynasty.This creation phenomenon provides an important database for studying Chuanqi drama writers' reception of the Tang poetry.Judging from the cases of citing poems in Jitang epilogue poems,the frequency of citing different poets' poems is obviously different,which is influenced by subjective and objective factors such as the circulation of poems of the Tang dynasty,the poetry style and the drama script's requirement for selecting poems.The quotation of poems written by non-Tang poets reflects the Chuanqi drama writers errors in the memory of the Tang poetry and the corruption in the transmission of the Tang poetry.The quotation of poems needs to fit the plot of drama,for which Chuanqi drama writers need to explore the possible meaning of the poem from the perspective of imagery and literal meaning and pay attention to the common relationship between the internal emotion of the poem and the Chuanqi drama context.This also facilitates the“rediscovery”of little-known works.

关 键 词：传奇 集唐下场诗 唐诗 接受 

分 类 号：I206[文学—中国文学]