对《营造法式》“文质彬彬”艺术观的辩证探讨  

A Dialectical Discussion on the Artistic View of the “Refinement and Simplicity” in Architecture Rules

作　　者：陈海峰 王平 Chen Haifeng;Wang Ping(Architectural Design&Research Institute of SCUT Co.,Ltd.,Guangzhou Guangdong 510640,China)

机构地区：[1]华南理工大学建筑设计研究院有限公司,广东广州510640

出　　处：《城市建筑》2020年第17期86-87,共2页Urbanism and Architecture

基　　金：国家自然科学基金(51278196);亚热带建筑科学国家重点实验室课题(2012ZA02);亚热带建筑科学国家重点实验室课题(2009ZC10)。

摘　　要："文质彬彬",源于中国儒家思想,并衍化为重要的传统艺术观。"文质彬彬"的内涵与体现,在建筑史与艺术史上的发展脉络异曲同工。本文通过文献调研、实例分析等方法,梳理了从先秦到近代"文"与"质"矛盾协调手法的演变过程,辩证探讨《营造法式》对"文质彬彬"艺术观的追求与实现手法。"Refinement and simplicity" is derived from Chinese Confucianism and has evolved into an important traditional art concept. The connotation and manifestation of "refinement and simplicity" are the same with the development context of architectural history and art history. This paper combed the evolution process of the coordination method of "refinement" and "simplicity" from pre-Qin to modern times through literature research and case analysis, and then dialectically explored the pursuit and realization of the artistic view of "refinement and simplicity" in Architecture Rules.

关 键 词：营造法式 文质彬彬 艺术观 

分 类 号：TU-0[建筑科学—建筑理论]