从“电影机构”到话语消费——文化产业语境下电影批评功能的再认知  

From“Film Organization”to Discourse Consumption--Recognition of Film Criticism Function in the Context of Cultural Industry

作　　者：周旭 Zhou Xu(School of Journalism and Communication,Sichuan International Studies University,Chongqing 400031)

机构地区：[1]四川外国语大学新闻传播学院,重庆400031

出　　处：《宁夏社会科学》2020年第5期209-216,共8页NingXia Social Sciences

基　　金：重庆市教委人文社会科学规划项目“数字媒介场域中国电影批评的话语特征研究”(项目编号:20SKGH125)的阶段性成果。

摘　　要：电影批评作为"电影机构"的重要组成部分,其功能运作系统异常复杂。随着电影产业的不断发展,电影批评的理论模式、表述形态、功能定向、评价标准等都发生了前所未有的变化。具体言之,从批评的特性看,电影批评不仅具有审美特性、文化特性,还具有产业特性,是促使电影产业持续运作的重要力量;从批评的功能看,电影批评对电影观众、电影创作以及电影文化的发展都起着非常重要的作用。同时,电影批评功能的实现又受到电影批评主体的素养、批评方法的选用、批评传播的媒介环境等诸多因素的制约和影响。As an important part of the"film organization",film criticism has a complex functional operating system.With the continuous development of the film industry,unprecedented changes have taken place in the theoretical models,expression forms,functional orientation,and evaluation criteria of film criticism.Specifically speaking,from the perspective of the characteristics of criticism,film criticism hasn’t aesthetic and cultural characteristics,but also has industrial characteristics,which is an important force to promote the continuous operation of the film industry.At the same time,the realization of the function of film criticism is restricted and influenced by many factors,such as the quality of the main body of film criticism,the selection of criticism methods,and the media environment of criticism dissemination.

关 键 词：电影批评 电影机构 电影产业 批评功能 批评特性 

分 类 号：J90[艺术—电影电视艺术]