购藏与风格:徽商与弘仁书画互动考察  

Purchasing Art and the Forming of Style:Huizhou Merchants and Hongren's Art

作　　者：汪映雪 WANG Yingxue

机构地区：[1]浙江省文物鉴定站,杭州310007

出　　处：《文化艺术研究》2020年第2期145-151,共7页Studies in Culture and Art

基　　金：江苏省研究生科研创新计划项目“社会经济史视域下的新安画派研究”(项目编号:KYCX17-0012);国家社会科学基金艺术学重大项目“中国美术史学史研究”(项目编号:19ZD19)的阶段性成果。

摘　　要：徽商的书画购藏推动了文人画学在徽州的传播,为本地画家的成长营造了浓郁的画学氛围,引领着徽州画坛的风格取向。弘仁绘画风格的形塑过程与徽商关系密切,徽商为弘仁师法古人、追慕倪瓒提供了便利渠道,他们的书斋园林和生活情境启发了弘仁的创作灵感。基于相近的审美观念,徽商成为弘仁作品的主要购藏群体,奠定了弘仁在新安画派中的标杆地位,成为明清之际画商关系的一个特殊案例。Huizhou merchants’ collection of paintings and calligraphy promoted the spread of literati painting in Huizhou,created an artistic atmosphere for the local painters,and led the trend of Huizhou’s painting.Hongren’s painting style took shape while he was befriended by a group of Huizhou merchants who provided him a favorable environment of studying and imitating ancient,especially Ni Zan’s paintings and an aesthetic life.The major customers of Hongren’s work,Huizhou merchants helped Hongren earn his place in the Xin’an painting school,which was peculiar in terms of the relationship between painters and merchants from Late Ming to Early Qing.

关 键 词：徽商 弘仁 书画购藏 文人画学 

分 类 号：J209[艺术—美术]