在之间——矶崎新“间”的观念性创作思想研究  

Interspace:A Study on Arata Isozaki’s Conceptual Creation Thoughts

作　　者：宋天明 秦佳文[1] 马雪梅[1] Song Tianming;Qin Jiawen;Ma Xuemei

机构地区：[1]沈阳建筑大学建筑与规划学院

出　　处：《建筑与文化》2020年第10期68-70,共3页Architecture & Culture

基　　金：辽宁省自然科学基金项目“基于雨水径流削减的辽宁省城市绿地生境营造模式及适应性设计方法研究”(项目编号:Z2117003);辽宁省自然科学基金项目“辽宁东部山地丘陵地区县域新型城镇化空间组织模式研究”(项目编号:Z2419038);辽宁省自然科学基金项目“基于住区生活圈的寒地城市公共绿地空间绩效优化研究”(项目编号:Z2218034)。

摘　　要：矶崎新作为现当代著名的建筑大师,他的建筑作品和思想对世界范围内的建筑创作产生了深远而持久的影响。文章以日本传统文化"间"的概念为线索,从文化之"间"、风格之"间"、空间之"间"和观念之"间"四个方面分析矶崎新建筑思想和设计作品中"间"的观念性特征,总结出他以日本本土文化为底蕴,兼收并蓄,在探索动态平衡的"过程"中坚持自己的设计特色,以极具个性意识的设计表达和极富创造力的思想赋予建筑以朦胧的诗意,以动态反思的归零意识和饱含积极意义的废墟论探索未来建筑的方向。他的建筑和理论始终保持朝气蓬勃的状态,长时期影响着世界范围内建筑的发展。As a famous architect of modern and contemporary times,his architectural works and ideas have exerted a profound and lasting influence on architectural creation around the world.Based on the concept of"interspace"in Japanese traditional culture,this paper analyzes the conceptual characteristics of"interspace"in architectural ideas and design works of Arata Isozaki from four aspects:"interspace"in culture,"interspace"in style,"interspace"in space and"interspace"in concept.Taking Japanese culture as the background,Arata Isozaki always sticks to his design features in the process of incorporating and exploring the dynamic balance.His design expression that is full of individual character and highly creative thoughts endow architecture with hazy poetry.Based on zero consciousness of dynamic reflection with ruins theory of positive significance,Arata Isozaki explores the direction of future constructions.His architecture and theories remains vibrant and influences the development of architecture worldwide for a long time.

关 键 词：间 风格 空间 观念 

分 类 号：TU-86[艺术—艺术设计]