宋代文论视野下的“神”范畴  

“Shen”Category in the Perspective of Literary Theory in the Song Dynasty

作　　者：张建会 王云鹏 Zhang Jianhui;Wang Yunpeng(Department of Public Foundation,Jiangsu Vocational College of Nursing,Huaian 233005,China;Institute of Historical Documentation,Central China Normal University,Wuhan 430079,China)

机构地区：[1]江苏护理职业学院公共基础部,江苏淮安223005 [2]华中师范大学历史文献所,湖北武汉430079

出　　处：《齐鲁师范学院学报》2020年第5期118-122,共5页Journal of Qilu Normal University

基　　金：江苏护理职业学院哲学社会科学重点课题(SHSK2018Z004)阶段性成果。

摘　　要：文论中的“神”范畴是文学作品的核心与灵魂。玩味宋代的文学作品,“神”范畴的创作理念一以贯之。从文学作品中的“神”范畴,到文艺美学中的“神”范畴,再到文学批评中的“神”范畴,是宋代文论“神”范畴的三级构架。文论诠释向度下的文学作品的“神”范畴与人的情感相通,是理性的审美感悟;文学批评视域下的“神”范畴是检视文学作品最有效的模式。借助文论中的“神”范畴蠡测宋代的文学作品,可以探明宋代文论的存在状态和发展规律。The category of "Shen" in literary theory is the core and soul of literary works.To ruminate the Song Dynasty literary works,the creative ideas of "Shen" category is consistent.From the category of "Shen" in literary works to the category of "Shen" in literary aesthetics,and then to the category of "Shen" in literary criticism,it is the third-level framework of the "Shen" category in the Song Dynasty.The category of "Shen" in literary works in the perspective of literary interpretation is connected with human emotions and is a rational aesthetic perception.The category of "Shen" in the field of literary criticism is the most effective mode of literary works.With the "Shen" category in the literary theory,the literary works of the Song Dynasty can be used to find out the existence and development of the Song Dynasty literary theory.

关 键 词：宋代 文论 “神”范畴 

分 类 号：K224[历史地理—历史学]