四川省渠县“三汇彩亭会”的民俗意蕴  

The Folk Implication Of SAN HUI Color Pavilion Pageant In Quxian County Sichuan Province

作　　者：杨小晋[1] Yang Xiaojin(college of fine arts,China west normal university,nanchong,sichuan 637009,China)

机构地区：[1]西华师范大学美术学院,四川南充637009

出　　处：《内蒙古艺术学院学报》2020年第3期113-118,共6页Journal of Inner Mongolia Arts University

基　　金：2018年度教育部规划基金项目“四川明代佛寺壁画的艺术民俗学内蕴研究”(项目编号18YJA760070)的阶段性成果。

摘　　要：彩亭会是四川省渠县三汇地区的一项国家级非遗民俗活动,在全国50余种同类民俗活动中以高、巧、彩闻名。作为一种民俗文本,它与台阁、扎社火、行傩、行像、寻橦之间有亲疏不同的承继关系。在其庙会场域结构中存在着两种主要力量,民间信仰以及商会、行帮、礼社组织,它们共同制约着传统彩亭会的规模与持续状态。作为一种习俗仪式,三汇彩亭会涉及主政管理者、演员、工匠艺人、参观者等角色的文化心理,其表演仪式也具有平衡天人、人人关系的隐喻内涵。The colorful pavilion Pageant is a national level intangible cultural heritage activities in sanhui district,quxian county,sichuan province.It is famous for High、Ingenious、Exciting in more than 50 similar folkore activities acrossthe country.AS a folk text,it has a different inheritance relationship with the Raise the Pavilion、Shehuo、Exorcise、Row image、Climbing acrobatics.In the structure of the temple fair,it has two main forces:the folk belief and the chamber of commerce、gangs、rite clubs.They collectively restrict the scale and sustainability of traditional Color Pavilion Pageant.As a custom,it involves the cultural psychology of the roles of sovereign managers、actors、artisans、entertainers and visitors.The performance ceremony also has a privacy metaphor that balances the relationship between heaven and man and everyone.

关 键 词：三汇彩亭会 民俗意蕴 非物质文化遗产 

分 类 号：G122[文化科学]