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作 者:程波涛[1] Cheng botao(School of Art,Anhui University,Hefei 230601,China)
出 处:《内蒙古艺术学院学报》2020年第3期119-128,共10页Journal of Inner Mongolia Arts University
基 金:安徽大学博士科研启动经费项目(项目号:JO1003248)项目成果之一;安徽省哲学社科规划项目(项目号:AHSSKY2015D145)成果之一。
摘 要:祝寿图像是中国祝寿文化的视觉呈现,其意象构成有一个由简入繁的过程,且人文意义也在日趋丰富而多元。就祝寿图像的谱系构成来看,人物意象是其尤为重要的部分,而其他动物、植物等意象则经常作为辅材而出现。尤其值得一提的是在一些重大的祝寿场合的祝寿图像中,不仅人物意象众多,并且大都是对于敬老、孝老传统的特殊诠释,也是一种生命意愿的文化传达,反映出中国古代传统家庭观念中"百善孝当头"的初始德性与基本品格。实际上对于这些意象构成的归类与解读,意在从一个侧面揭示国人的福寿观念,以及对于生命长度的祈愿与诉求。透过包括人物谱系在内的祝寿图像,所隐含着国人对于生命相关联的价值诉求和人伦观念也在表达出来。Birthday image is the visual presentation of Chinese birthday culture,and its image composition has a process from simple to complex,while the humanistic significance is also becoming more and more rich and diversified.In terms of the genealogical composition of birthday pictures,the image of characters is a particularly important part,while images of other animals and plants often appear as auxiliary materials.It is especially worth mentioning that in the pictures of some important birthday occasions,there are many figures in the pictures,which are not only a special interpretation of the tradition of respecting and filial piety,but also a cultural transmission of life will,reflecting the initial virtue and basic character of"filial piety"in ancient Chinese traditional family concept.In fact,the classification and interpretation of these images aims to reveal from one side the Chinese people’s concept of longevity,as well as their wishes and appeals for the length of life.Through the birthday pictures including the genealogy of the figures,the value demands with life and the concept of human ethics associated are also expressed.
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