文学话语中的“三一”运动——话剧《山河泪》的创作与传播  

The 1919 Independence Movement of Korea in Literary Discourse--The Creation and Dissemination of the Drama Tears of the Motherland

作　　者：孙科志[1] 孙晓 Sun Kezhi;Sun Xiao(Fudan University,Shanghai,200433;Shandong Agricultural University,Qingdao,266109)

机构地区：[1]复旦大学历史学系,上海200433 [2]山东农业大学外国语学院,青岛266109 [3]复旦大学历史学系

出　　处：《东疆学刊》2020年第4期32-39,127,共9页Dongjiang Journal

摘　　要：《山河泪》是时为中国东南大学的学生侯曜创作的一部以“三一”运动为题材的话剧,也是最早一部以“三一”运动为题材的文学艺术作品。该剧的创作目的是“描写韩国独立运动精神,并替世界被压迫民族作不平鸣,向帝国主义之野心家,作一当头棒喝”。《山河泪》剧本出版后受到中国各界的欢迎,曾多次重印,并先后在全国各地公开上演,对传播韩国独立运动的精神、唤醒中国民众共赴国难起到了重要作用。Tears of the Motherland,created by Hou Yao during his school days in Southeast University,is a drama based on the theme of The 1919 Independence Movement of Korea,which is also the earliest literary and artistic work with this theme.The creative purpose of this drama is“to depict the spirit of The Korean Independence Movement,to speak up for the interest of the oppressed nations around the world,and to make a sharp warning to the imperialist careerists.”Widely welcomed in China after its publication,the script of Tears of the Motherland has been reprinted many times and performed throughout the country.It has played an important role in spreading the spirit of The Korean Independence Movement and awakening Chinese people to fight for the nation during wartime.

关 键 词：《山河泪》 侯曜 “三一”运动 独立运动 传播 

分 类 号：I234[文学—中国文学]