日本女作家野上弥生子初期创作风格的转变  

On the Change of Early Writing Style of Japanese Female Writer Yaeko Nogami

作　　者：宋波 张璋[1] SONG Bo;ZHANG Zhang(School of Foreign Languages,Nanchang University,Nanchang 330031,China)

机构地区：[1]南昌大学外国语学院,江西南昌330031

出　　处：《南京晓庄学院学报》2020年第4期66-70,122,共6页Journal of Nanjing Xiaozhuang University

基　　金：2019年江西省哲学社会科学规划项目“日本文学、文化语境中的南昌形象研究”(19WX07)。

摘　　要：野上弥生子初期创作的《明暗》与《缘》这两部作品,都得到了夏目漱石的指导。夏目漱石既准确地指出了《明暗》在创作手法等方面的问题,同时又存在误读的一面。野上弥生子并未意识到这一点,反而全盘接受了夏目漱石的建议。在夏目漱石指导下创作的《缘》,与《明暗》相比而言发生了明显的转变:一个是在文体方面采用了写生文文体,另一个是在文学理念方面契合了夏目漱石的文学主张。这种转变,有助于野上弥生子文学作品的创作与发表,但也在一定程度上遮蔽了野上弥生子的社会意识与女性意识。Two of Yaeko Nogami's works,Light and Darkness and Fate,which were written in her early years,got guidance from Natsume Soseki.Natsume Soseki not only pointed out the problems in the creation techniques of Light and Darkness,but also misread it.Yaeko Nogami failed to realize this,and accepted Natsume Soseki's suggestion.Under the guidance of Natsume Soseki,Fate has changed significantly compared with Light and Darkness.One is the use of sketch in style,the other is in the literary concept in line with Natsume Soseki's literary ideas.This kind of transformation is helpful to the creation and publication of Yaeko Nogami's literary works,but also to a certain extent,obscures the social and female consciousness of Yaeko Nogami.

关 键 词：野上弥生子 《明暗》 《缘》 夏目漱石 

分 类 号：I317[文学—其他各国文学]