曹魏铜雀台考  

An Analysis of Tongquetai in Cao Wei Dynasty

作　　者：胡运宏[1] HU Yun-hong(College of Landscape Architecture,Nanjing Forestry University,210037,P.R.China)

机构地区：[1]南京林业大学风景园林学院,江苏省南京市210037

出　　处：《北京林业大学学报（社会科学版）》2020年第3期79-83,共5页Journal of Beijing Forestry University ：Social Sciences

基　　金：国家社科基金“江南园林的历史演进研究”(19BZS148)。

摘　　要：曹魏铜雀台有深厚的文化内涵。首先,在曹操逐步篡夺政权的过程中,铜雀台发挥着重要的政治喻示功能。其次,以铜雀台为核心的铜雀园又称西园,是当时作为我国历史上第一批真正文人的建安诸子们宴会雅集的场所,西园雅集称得上是后世文人园林雅集的滥觞。第三,铜雀台(园)经过历代文人不断题咏,文学意象也经历了从"高台"到"铜雀伎",再到"深锁二乔"的流变与转型。The Tongquetai in Cao Wei Dynasty had profound cultural connotation.Firstly,Tongquetai played an important political metaphor in the process of Cao Cao’s gradual usurpation of political power.Secondly,the Tongque Garden,centered on Tongquetai,was also known as the West Garden(Xiyuan).It was the place where Jian’an literati banquets were held.Jian’an literati were the first real literati in Chinese history,so the Xiyuan banquet was the origin of the ancient literati garden banquet.Thirdly,Tongquetai(Garden)has been constantly inscribed in the writings of literati for thousands of years,and its cultural image has also experienced the transformation from the"high platform"to the"Tongque singer"and to the"deep locking two Joe"image.

关 键 词：铜雀台 天子三台 西园雅集 铜雀歌伎 

分 类 号：K85[历史地理—考古学及博物馆学]