丝绸之路出土刺绣所见多元文化的影响  

Multi-cultural influences shown by the embroideries unearthed along the Silk Road

作　　者：邝杨华[1] 刘辉[2] KUANG Yanghua;LIU Hui(School of Fine Arts,Hainan Normal University,Haikou 571158,China;Chinese Fine Traditional CulturalInheritance Base,Ministry of Education,Chinese Academy of Sciences,Beijing 100190,China)

机构地区：[1]海南师范大学教育部中华优秀传统文化传承基地,海口571158 [2]中国科学院自然科学史研究所,北京100190

出　　处：《丝绸》2020年第10期75-80,共6页Journal of Silk

基　　金：教育部人文社会科学研究青年基金项目(17YJC760031);海南省哲学社会科学规划课题项目(HNSK(ZC)17-15)。

摘　　要：由于其特殊的地理位置,丝绸之路出土的许多刺绣体现了多元文化的影响。以山普拉、诺因乌拉、莫高窟、阿斯塔那和都兰等地出土的刺绣为例,通过与邻近地区出土的相同或相近时期的文物进行对比分析,可以看到它们与邻近地区密切的文化联系——山普拉出土的卷草纹绣是中国楚汉文化西渐的结果,诺因乌拉出土的草原风格动物纹绣反映了欧亚草原斯基泰文化对匈奴的影响,莫高窟出土的刺绣佛像和菩萨像是印度佛教文化东传的表现,阿斯塔那和都兰等地出土的联珠纹和新月纹绣则代表了自西而来的波斯和伊斯兰文化。多元文化在丝绸之路上的碰撞与融合从丝路出土的刺绣可见一隅。The embroideries unearthed along the Silk Road usually show influences of different cultures due to the special geographical location of the Silk Road.The embroideries from Shanpula,Noin-Ula,the Mogao Grottoes,Astana and Dulan were taken for example.By comparing them to the archeological examples of the same or similar periods from neighboring areas,we can see the close cultural connection from neighboring areas:The embroideries with scrolls from Shanpula are the result of development of the Chu and Han Culture of China to the west.The embroideries with animal patterns from Nion-Ula show an influence of Scythian culture on Xiongnu.The Buddhist embroideries and Bodhisattva sculptures found at the Mogao Grottoes show the development of Indian Buddhism culture to the east.The embroideries with pearl linked pattern and crescent pattern from Astana and Dulan represent Persian and Islamic cultures from the west.The collision and integration of multiple cultures on the Silk Road could be seen from the embroideries unearthed along the Silk Road.

关 键 词：刺绣 丝绸之路 多元文化 冏形图案 斯基泰 联珠纹 

分 类 号：TS941.12[轻工技术与工程—服装设计与工程] K876.9[历史地理—考古学及博物馆学]