唐代织锦中含绶鸟纹的设计因子提取及应用研究  

Research on design factor extraction and application of brocade birdpatternwith ribbon holding in mouth in Tang dynasty

作　　者：彭国华[1] 刘凯雄 PENG Guohua;LIU Kaixiong(School of Design and Art,Shaanxi University of Science and Technology,Xi’an 710021,China)

机构地区：[1]陕西科技大学设计与艺术学院,西安710021

出　　处：《丝绸》2020年第10期111-118,共8页Journal of Silk

基　　金：教育部人文社会科学研究一般项目(16YJCZH072)。

摘　　要：唐代织锦中的含绶鸟纹作为唐文化交融发展的产物,浓缩了传统纹样的精华,极具审美属性与学术研究价值,有必要将其文化传承并进行设计应用。文章通过对文献的挖掘、书籍资料的整理,结合图文互证的方式,对其进行文化上的梳理;通过用户感知,提取其中最具代表性的核心设计因子,以形状文法进行推敲,设计出既具有唐文化特色又符合现代审美的新图形;最后运用到丝巾设计案例中,已验证其可行性。唐代织锦中的含绶鸟纹在造型与审美上达到了一个特别高的程度,不仅可以为现代丝巾设计提供灵感与素材,还可以通过自身的特点展现唐文化的内涵。As the product of Tang culture integration and development,brocade bird pattern with ribbon holding in mouth concentrates the essence of traditional patterns,and has the aesthetic attribute and the academic research value.It is necessary to carry out the cultural inheritance and the design application.Based on the literature review and the sorting of relevant books,and combined with the text-image proof,its culture was summarized and sorted.Through the user perception,the most representative core design factors were extracted and analyzed by shape method.Finally,a design shape which conforms to characteristics of Tang culture and modern aesthetics was designed and applied in the silk scarf design case to verify its feasibility.The brocade bird pattern with ribbon holding in mouth in Tang dynasty reached an extra highdegree in terms of modeling and aesthetics,which not only can provide inspiration and materials for modern silk scarf design,but also can show the cultural connotation of Tang dynasty through its own characteristics.

关 键 词：唐代织锦 含绶鸟 设计因子 形状文法 丝巾 

分 类 号：TS941.2[轻工技术与工程—服装设计与工程]