中国古代目录学书目中“艺术类”类目的设置及其演变  

The Establishment and Connotation Evolution of Art Category in Chinese Ancient Works of Bibliography

作　　者：苏金侠 Su Jinxia

机构地区：[1]山东科技大学文法学院,山东青岛266590

出　　处：《大学图书馆学报》2020年第5期81-90,共10页Journal of Academic Libraries

基　　金：山东省重点艺术科学项目“目录学视域下中国古代艺术的分类及内涵演变”(编号:QN201802)的研究成果之一。

摘　　要：中国古代目录学著作中艺术类文献的变化轨迹,暗含着古代艺术内涵的演变过程。通过梳理汉至清代多部公私目录学著作中的艺术类文献,发现中国古代目录学著作中的艺术门类从产生到最终定型,大致经历了唐以前的发端期、唐至宋元的发展期、明代的变革期和清代的定型期四个阶段。目录学著作中的艺术种类经历了“少—多—少”的过程,内容具有“重技艺—艺术并存—以艺为主”的特点。这些变化体现了不同艺术门类之间数量和稳定性的差异,也反映出古人对于艺术的追求从实用性到审美性的转变。The track of Chinese ancient works of bibliography implies the evolution process of ancient art connotation.Through analysis of both public and private Chinese ancient bibliography works from Han Dynasty to Qing Dynasty,it is believed that there were four stages before the categories of art in ancient Chinese bibliography works were finalized,which are the beginning period before Tang Dynasty,the development period from Tang Dynasty to Song and Yuan Dynasty,the reform period of Ming Dynasty and the finalization period of Qing Dynasty.The category of art in bibliography works has experienced the process of“less-more-less”,and the content has the characteristics of focusing“on skills-on both skills and art-on art”.These changes reflect the differences of quantity and stability in different art categories,as well as the change of the ancients pursuit of art from practicality to aesthetics.

关 键 词：古代艺术 分类 目录学 内涵演变 

分 类 号：G257[文化科学—图书馆学]