服装色彩与心理情感表达相关问题研究——以电影《Marie Antoinette》为例  

Research on the Relation Between Color and Psychological Emotional Expression in Cinematography--Taking Marie Antoinette as an Example

作　　者：曾思艺 陈先芹 ZENG SIyi;CHEN XIANqin

机构地区：[1]浙江理工大学

出　　处：《创意设计源》2020年第4期57-61,共5页Idea & Design

摘　　要：服装色彩作为一种视觉传播形式,与心理情感的表达密不可分。通过对心理学、色彩学及美学等相关理论的研究,结合电影和服装具象的特殊性,分析服装色彩在电影里对人物情感的无声表达。重点探析《Marie Antoinette》影片中服装色彩塑造人物形象的方法,通过运用规律性的色彩构思模式和心理学知识深层次地剖析人物心理情感的变化,并运用其特征做出设计方案,为电影服装的色彩搭配提供参考。As a form of visual communication,clothing color is inseparable from the expression of psychological emotion.Through the study of related theories such as psychology,color science and aesthetics,combined with the particularity of film and clothing figurative,the article analyzes the silent expression of clothing color in the movie.Focusing on the method of shaping the characters in costumes in Marie Antoinette,through the use of regular color concept and psychological knowledge,deeply analyze the changes of people’s psychological emotions,and use their characteristics to make design schemes for the film.The color matching of the clothing provides a reference.

关 键 词：服装色彩 心理情感 电影 人物角色 

分 类 号：J918[艺术—电影电视艺术]