土星、新天使与本雅明的“忧郁”  

Saturn, New Angel and Walter Benjamin’s Melancholy

作　　者：陈影 Chen Ying(School of Foreign Languages,Renmin University of China,Beijing,China)

机构地区：[1]中国人民大学外国语学院,北京100872

出　　处：《外国文学》2020年第5期161-172,共12页Foreign Literature

基　　金：中国人民大学2020年度“中央高校建设世界一流大学(学科)和特色发展引导专项资金”。

摘　　要：作为西方思想史上的一个重要概念,"忧郁"是本雅明原创性思想的重要源头。在犹太神秘主义语境中解读本雅明的"忧郁"思想,特别是借由"土星"和"新天使"两个意象中的辩证维度,可以凸显一种回溯传统、兼具内在性与超越性的救赎力量。这种本雅明版本的弥赛亚主义视犹太神秘主义思想为理论构型,将其中与魔鬼相关的"毁灭—救赎"力量指向一种触及主体的辩证性忧郁。本雅明以诗性的方式言说不可言的忧郁,并以辩证视角去思考如何修复碎片化的传统。As a key concept in Western intellectual history, melancholy functions as the vital source of Benjamin’s original thoughts. In the context of Jewish mysticism, mediated by the dialectical dimensions of "Saturn" and "New Angel", Benjaminian melancholy demonstrates a redemptive power that resorts to tradition. Such messianism of Benjamin’s version bears both immanence and transcendence. It regards Jewish mysticism as a theoretical configuration, the relevant "destructive-redemptive" power within Satan dimension points to a dialectical melancholy leading to subjectivity. While Benjamin poetically utters the unutterable melancholy, he dialectically observes and experiences the possibility for the fragmented tradition to be restored.

关 键 词：忧郁 土星 新天使 辩证性 犹太传统 

分 类 号：G0[文化科学]