修正与事件:《克里斯蒂娜女王》与女性神话  

Revision and Event:Queen Christina and Woman's Myth

作　　者：吴一坤 WU Yikun(School of Foreign Studies,Nanjing University,Nanjing 210023)

机构地区：[1]南京大学外国语学院,南京210023

出　　处：《南京师大学报（社会科学版）》2020年第5期152-160,共9页Journal of Nanjing Normal University(Social Science Edition)

摘　　要：英国剧作家帕姆·杰姆斯于20世纪70年代创作了传记体戏剧《克里斯蒂娜女王》。该剧解构了自由浪漫的瑞典女王形象,并以流动的性属身份取代历史名人传记中的本质主义女性观。本文试图将女性主义和文学事件进行结合,探讨《克里斯蒂娜女王》如何借助修正的写作策略改写女性神话,推动文学事件的传承和发展,消解女性文学创作缺乏原创性与独特性的偏见。女王克里斯蒂娜一度被视作骁勇善战、天资过人的传奇人物,却在通往母亲身份的入口处踱步徘徊,揭示出惧母症是导致女性在家庭与职业之间摇摆的心理诱因,呼吁传统性别分工的价值重估与角色再议。British playwright Pam Gems wrote a biographical play Queen Christina in the 1970 s. The play deconstructs the romantic image of Swedish Queen Christina,and turns to gender fluidity which substitutes the essentialist view of female identity in biography. This article joins feminism and literary event to examine the revision of Queen Christina which rewrites woman’s myth,promoting the transmission and development of literary event,and breaking down the prejudice that women’s literary creation is lacking in originality and singularity. Against the historical representation that Christina is heroic,fearless and intelligent,Gems’ s dramatic version reveals Christina’s matrophobia which results in women’s vacillation between family and career,which calls for the critique of traditional gendered division of social labor.

关 键 词：帕姆·杰姆斯 女性神话 修正 事件 女性主义 

分 类 号：I561.073[文学—其他各国文学]