韦斯• 安德森电影中后现代主义倾向的时空观  

The Space-time View of the Postmodernism Tendency in Wes Anderson’s Films

作　　者：徐斯然 XU Si-ran(Department of Chinese Culture,The Hong Kong Polytechnic University,Hong Kong 999077,China)

机构地区：[1]香港理工大学中国文化学系,中国香港999077

出　　处：《河北广播电视大学学报》2020年第5期101-105,共5页Journal of Hebei Radio & TV University

摘　　要：韦斯·安德森有着鲜明作者电影的风格,在时空表达上,他深受后现代主义哲学思潮的影响,形成深层次、多元化的重构性特点。在时间构建的多重框架内,他以不同的叙事媒介作为事件回溯的载体,用虚构性与真实性共同形塑人物的情感特征。在空间表达上,韦斯·安德森采用“间性空间”的方式,将空间的“里”与“面”、“个体”与“整体”相互连接。在空间维度上探寻个体与个体间的情绪交流、情感的共生,从而形成一种既戏谑又温暖的独特表达。Wes Anderson has a distinctive film style as an author.In terms of time and space expression,he is deeply influenced by postmodernist philosophical trends,forming a deep and diversified restructuring feature.Within the multiple frames constructed by time,he uses different narrative media as the carrier of event retrospect,and uses fiction and authenticity to shape the emotional characteristics of characters.In terms of spatial expression,Anderson uses the“interstitial space”method to connect the“li”and“face”of the space,and interconnection of“individual”and“whole”,exploring the emotional communication and emotional symbiosis between individuals in the spatial dimension,so as to form a unique expression that is both playful and warm.

关 键 词：后现代主义 多重框架 双线结构 间性空间 情感共生 

分 类 号：J905[艺术—电影电视艺术]