北方青铜器审美意象略论——以鄂尔多斯地区为例  

On the Aesthetic Images of Northern Bronzeware——Taking Ordos as an Example

作　　者：李军 张玉娜 LI Jun;ZHANG Yu-na(School of Art and Design,Inner Mongolia University of Science and Technology,Baotou 014030 China)

机构地区：[1]内蒙古科技大学艺术与设计学院,内蒙古包头014030

出　　处：《前沿》2020年第4期130-134,共5页Forward Position

基　　金：教育部2017年人文社科艺术学规划基金项目“蒙古族传统动物题材图案象征研究”(17YJA760027)的阶段性成果。

摘　　要：北方诸民族在漫长的历史发展中创造了灿烂的青铜文化,在中华青铜文明以及世界青铜文明中都闪烁着耀眼的光芒。鄂尔多斯青铜器是北方草原青铜文化的典型载体,通过对其类别、样式的分析可了解其丰富的文化内涵,与生殖崇拜、图腾崇拜、祖先崇拜、英雄崇拜息息相关,并体现了生死、强弱、天人之间的哲学关系。The northern ethnic groups have created a splendid bronze culture in the long historical development,and they dazzled in the Chinese bronze civilization and the world bronze civilization.Ordos bronze is a typical carrier of the northern grassland bronze culture.Through analysis of its categories and styles,it can understand its rich cultural connotation,which is closely related to reproductive worship,totem worship,ancestor worship,hero worship,and reflects life and death,strength and weakness,and heaven.The philosophical relationship between people.

关 键 词：北方青铜文化 鄂尔多斯青铜器 草原游牧民族 

分 类 号：K872[历史地理—考古学及博物馆学]