历代咏蝇赋的创作及其内涵  

Creation and Connotation of Fu on Flies

作　　者：龙世行 LONG Shi-hang(School of Literature,Guizhou Normal University,Guiyang 550025,China)

机构地区：[1]贵州师范大学文学院,贵阳550025

出　　处：《辽东学院学报（社会科学版）》2020年第5期1-6,共6页Journal of Liaodong University：Social Science Edition

摘　　要：《诗经》可谓昆虫文学的肇始,其青蝇篇以蝇为喻,斥责谗言祸国之人,对后世咏蝇文学的发展影响深远。历代咏蝇赋中,对蝇的描写主要是从身体形态、生活习性和生活状态三方面进行,在赋家笔下,蝇不仅只是害虫,更是通过其自然属性赋予它们以佞臣小人、趋炎附势等比喻意象。作家以蝇托物言志,表达自己的人生立场和思想态度。同时,咏蝇赋作品揭露当时社会的现状,抨击了社会的阴暗面,从文学角度为我们描写了当时的社会面貌。它们是中国古代文学传承下来的珍贵财富,拥有较高的审美内涵和文学价值。The Book of Songs can be regarded as the starter of insect literature,in which the fly was compared to taletellers who endangered the state.This laid the foundation for the literature on the subject of later ages.With descriptions of the figure,life habit and living conditions,writers in all ages make the fly as the image of insidious persons and flattering officials,by which to express their standpoints and thoughts.From these Fu writings,we can find the social reality of the times.They have rich aesthetic connotation and high literature value.

关 键 词：咏蝇赋 意象类型 情感特征 害虫 小人 

分 类 号：I207[文学—中国文学]