剧场的、整体的与身体的——论巴厘岛戏剧与残酷戏剧的发生  

Theatrical, Total and Bodily: On Balinese Theatre and the Occurrence of Theatre of Cruelty

作　　者：马慧[1] MA Hui

机构地区：[1]中国传媒大学博士后工作站

出　　处：《戏剧艺术》2020年第5期53-65,共13页Theatre Arts

摘　　要：安托南·阿尔托在《戏剧及其重影》一书中提出“残酷戏剧”的观念,对20世纪西方乃至世界戏剧产生了巨大影响。由于阿尔托对亚洲戏剧的亲近,对国内学界来说,残酷戏剧的内涵似乎一直处于不难理解但很难说清的状态。从巴厘岛戏剧演出的细节出发,并结合《戏剧及其重影》中的论文,可以发现“残酷戏剧”表面上看是西方戏剧从戏剧(drama)到剧场(theatre)的变革宣言,实际上是对亚里斯多德以来西方所谓“整体艺术”的一种剧场式注解和身体式延伸。Antonin Artaud put forward the concept of“Theatre of Cruelty”in The Theatre and Its Double,which had a great influence on the western and even the world theatre in the 20th century.Due to Artaud s closeness to Asian theatre,the connotation of theatre of cruelty seems to be easy of understanding but difficultly explained.This paper attempts to contextualize the process of the formation of Artaud's concept of“Theatre of Cruelty”.Starting with the details of Balinese theatre performance and examining relevant chapters from The Theatre and Its Double,this paper finds that“Theatre of Cruelty”on the surface is a declaration of Western theatre's transformation from drama to theatre,but in fact it is a theatrical annotation and bodily extension of the so-called“total art”which has been in existence in the West since Aristotle.

关 键 词：安托南·阿尔托 巴厘岛戏剧 整体艺术 身体 残酷戏剧 

分 类 号：J80[艺术—戏剧戏曲]