莎剧在中国藏区的接受研究  

The Acceptance of Shakespeare's Plays in China's Tibetan Areas

作　　者：王嗣源 WANG Siyuan

机构地区：[1]甘肃民族师范学院外语系

出　　处：《戏剧艺术》2020年第5期97-104,共8页Theatre Arts

基　　金：甘肃民族师范学院高层次人才项目“莎士比亚戏剧中国藏区接受史研究”(GSNU-GCCR-1907)的阶段性成果。

摘　　要：莎剧是世界上传播最广泛、影响最深远的文学艺术经典之一,在改革开放初期传入我国西藏。在以西藏为代表的东方语境下将西方的莎剧经典本土化,不仅为莎士比亚在全球的旅行提供了独特的文化空间,还扩大了莎剧的受众范围,使莎剧具有了更鲜明的活力。As the most influential and far-reaching literary classics in the world,Shakespeare's plays were first introduced in China's Tibetan areas in the early period of the Reform and Opening-up.The localization of Shakespearean classics in Tibetan areas not only provides a unique cultural space for Shakespeare's traveling around the world,but also expands the scope of his audience,making his plays much more influential.

关 键 词：莎士比亚戏剧 藏区接受史 跨文化改编 

分 类 号：J80[艺术—戏剧戏曲]