斯特林堡的舞美革新:排演方案与实际演出  

Strindberg's Innovation on Stage Art:Design and Performance

作　　者：吴靖青[1] WU Jingqing

机构地区：[1]上海戏剧学院《戏剧艺术》编辑部

出　　处：《戏剧艺术》2020年第5期113-123,共11页Theatre Arts

基　　金：“上海戏剧学院高水平地方高校(学科)建设项目”的阶段性成果。

摘　　要：剧作家斯特林堡为现代戏剧舞台美术做出了巨大的贡献。他中年时期对自然主义风格的舞美探索并不妨碍他晚年时期舞美思想的重大转变。他晚年时不满足于固定的舞台绘景,开始探索现代戏剧舞台时空的自由转换功能,大力推动当时还处于起步阶段的灯光、投影技术,并探索更为轻便、灵活的舞美造景技术。在当时,他对“梦剧”和“室内剧”的理想化舞美设想没能完全实现,然而这些设想本身深刻地影响了后世的舞美发展。Strindberg has made great contributions to the stage art of modern theatre.His exploration on naturalism in his middle age did not hinder him from having great change in his thought on stage art in his old age.Not satisfied with the fixed stage painting,he began to explore the free transformation of space and time in modern stage in his later years,vigorously promoting the lighting and projection technology which was still on the initial stage at that time,and exploring new technology which could realize the stage design in a more convenient and flexible way.At that time,his idealized stage design on“dream plays”and“chamber plays”could not be fully realized.However,these ideas had a profound impact on the development of stage art in later generations.

关 键 词：斯特林堡 舞美革新 排演方案 实际演出 

分 类 号：J80[艺术—戏剧戏曲]