乡土绘画与城市日常生活的审美救赎  

On the Aesthetic Redemption of the Urban Daily Life and Paintings with Local Themes

作　　者：文静[1] WEN Jing(School of Art and Design,Anhui Business and Technology College,Hefei 230041,China)

机构地区：[1]安徽工商职业学院艺术设计学院,合肥230041

出　　处：《合肥学院学报（综合版）》2020年第4期99-103,140,共6页Journal of Hefei University：Comprehensive ED

基　　金：2019年安徽省质量工程教研重点项目"对分课堂在'概论'课程中的应用与创新研究"(2019szjy0054);2018年合肥学院教研项目"意识形态安全视域下的思想政治理论课话语体系创新研究"(2018jy97);2019年合肥学院研究生教研项目"基于意识形态安全的研究生思政课教学话语体系创新研究"(2019jy01)。

摘　　要：乡土绘画的写实主义、表现主义、风情化和地域化发展脉络是和城市审美变迁紧密相连的,对审美主体性的重视,对审美现代性的追求和文化多元化造成的审美“疏离”,让乡土绘画面临着多重困境。在这样的语境下,乡土绘画仍然以精神的“乌托邦”和“乡愁”景象的虚拟再现来满足着都市大众的精神世界。面对“伪乡土论”和“乡土终结论”,乡土绘画仍然以不断地探索坚守着城市的救赎作用。Realism,expressionism,amorous feelings and regional development of paintings with local themes are closely related to the urban aesthetic changes.These paintings are facing multiple dilemmas,which results from their emphasis on the aesthetic subjectivity,the pursuit of the aesthetic modernization and the aesthetic indifference with the cultural diversity.In this context,paintings with local themes still try to satisfy the spiritual world of the urban masses through the virtual representation of spiritual“utopia”and“homesickness”.Facing the“pseudo localism theory”and“local endism theory”,these paintings still persist in their redemption role for the urban people and life through exploration.

关 键 词：乡土绘画 城市审美 现代性 乌托邦 审美救赎 

分 类 号：J20-02[艺术—美术]