五声性调式和声在安徽民歌钢琴伴奏中的应用  

The Application of Pentatonic Harmonyin Piano Accompaniment for Anhui Folk Song

作　　者：田雅丽[1] 李暮凡 TIAN Yali;LI Mufan(College of Art,Anhui University,Hefei 2306019 China)

机构地区：[1]安徽大学艺术学院,安徽合肥230601

出　　处：《皖西学院学报》2020年第5期109-113,128,共6页Journal of West Anhui University

基　　金：2017年安徽省哲学社会科学规划重点项目(AHSKZ2017D03)阶段性研究成果。

摘　　要：安徽民歌作为"徽文化"的重要音乐载体受到越来越多的作曲家关注。作曲家们采用各种作曲手法对其进行钢琴伴奏的编配创作,其中运用中国五声性调式和声与民间歌曲旋律完美结合。三度结构、纵合性结构和四五度结构是其最主流的和声方法。运用中国五声性调式和声为安徽民歌编配钢琴伴奏极大地提高了安徽民歌的艺术性和专业性。Anhui folk songs, as an important music carrier of "Hui Culture", have attracted more and more attention from composers. Composers use a variety of methods to compose them and arrange piano accompaniment. In the songs, the Chinese pentatonic harmony and folk song melody can be combined perfectly. The third-degree structure, longitudinal structure, fourth-and fifth-degree structure are the most mainstream harmony method for them. Using Chinese pentatonic harmony to arranging piano accompaniment for Anhui folk songs greatly improves the artistry and professionalism of Anhui folk songs.

关 键 词：安徽民歌 钢琴伴奏 五声调式 和声方法 

分 类 号：J624.1[艺术—音乐]