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作 者:张婉霜 Zhang Wanshuang(School of Literature,Fujian Normal University,Fuzhou,Fujian 350007,China)
出 处:《湖北工程学院学报》2020年第5期35-41,共7页Journal of Hubei Engineering University
摘 要:浅井了意的《牡丹灯笼》是瞿佑《牡丹灯记》的翻案作品,二者以红颜骷髅所象征的情欲与毁灭共同表现出男性叙事下对情欲的矛盾心理。同时,《牡丹灯笼》从情节叙事到主题审美,都开始呈现日本本土化的特征,以幽艳的美学风格和原作的世俗化色彩形成对比,展示出文化差异下的异质审美。Asai Ryoi’s Peony Lantern is a translated and adapted work of Qu You’s Peony Lamp.Both of them use the eroticism and destruction symbolized by the beauty and skeleton to reveal the ambivalence toward eroticism in male narrative.At the same time,from the plot narrative to the theme aesthetics,Peony Lantern began to present the characteristics of Japanese localization,and its dazzling aesthetic style is in contrast with the secular color of the original,indicating heterogeneous aesthetics under cultural differences.
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