“有限中的无限”——移动互联时代下手机图标的内涵设计  

Infinite in Finiteness:The Connotation Design of Application Icon in the Era of Mobile Internet

作　　者：刘翠林[1] Liu Cuilin(Tianjin University of Commerce Boustead College,Tianjin 300384,China)

机构地区：[1]天津商业大学宝德学院,天津300384

出　　处：《艺术与设计（理论版）》2020年第9期40-41,共2页Art and Design

摘　　要：进入到移动互联时代,手机应用越来越广泛,手机软件的界面设计也成为产品设计中重要的部分,而界面中的图标(Icon)设计,已成为重中之重。图标是手机应用(App)的名片,也是手机应用易于操控的关键。如何在众多的应用中脱颖而出,设计出独特的图标是每个软件界面设计师的使命。但是由于软件界面的独特性,给图标设计带来诸多限制。只有在有限的空间、诸多的限制中发挥创造性,才能设计出深入人心的图标。文章从图标的内涵设计这个角度,论述了"在有限中创造无限"的可能性。In the era of mobile Internet,the application of mobile phones is more and more widely.The interface design of mobile phone software has become an important part of product design,and the icon design in the interface has become the top priority.Icon is the business card and the key to easy operation of mobile application(APP).How to stand out in many applications and design unique icons is the mission of every software interface designer.However,due to the uniqueness of the software interface,it brings many restrictions to the icon design.Only the designer gives full play to his creativity in the limited space and many restrictions,so can he design the icon which is deeply rooted in the hearts of the people.This paper discusses the possibility of"creating infinity in finiteness"from the perspective of connotation design of icon.

关 键 词：软件界面设计 图标设计 内涵设计 

分 类 号：G20[文化科学—传播学]