左翼关怀、启蒙立场与学院派文化反思--论王富仁1990年代以来的“左翼文学”研究  

Reflections on Leftist Concerns,Enlightenment Position and Academist Culture---On Wang Furen’s Leftist Literature Studies After the 1990s

作　　者：康斌 KANG Bin(School of Chinese Language and Literature,Southwest Minzu University,Chengdu,Sichuan 610041)

机构地区：[1]西南民族大学中国语言文学学院,四川成都610041

出　　处：《汕头大学学报（人文社会科学版）》2020年第6期5-11,94,共8页Journal of Shantou University(Humanities and Social Sciences Edition)

基　　金：西南民族大学中央高校基本科研业务费专项资金项目(2020STD06)。

摘　　要：“新启蒙”和“再解读”是1990年代以来影响“左翼文学”研究的两个重要思潮。针对前者对非“左翼”文学的推崇,王富仁强调“左翼文学”具有“诚”和“力”的文学价值;针对后者对“左翼文学”的整体性肯定,他提出应根据政治经济权力介入的程度,看待二十世纪中国左翼文学不同阶段的差异性。王富仁的“左翼文学”研究,不仅是对中国现代文学史研究的深化,是一个坚定的启蒙者对“五四”以来的中国文化进行历史批判的产物,也是对1990年代以来“学院派”知识分子潜藏的“文化危机”进行自我反思的结果。“New Enlightenment”and“New Interpretation”are two important ideological trends influencing leftist literature studies after the 1990s.In terms of the former’s esteem of non-leftist literature,Wang Furen highlights leftist literature’s value of“sincerity”and“strength”;in terms of the latter’s total approval of leftist literature,he suggests investigating the 20th century Chinese leftist literature in its different phases according to the degree of political and economical interference.Wang Furen’s leftist literature studies is a deepening of Chinese modern literary history studies,a firm enlightener’s critique of the post-May-4th Chinese culture,and also a reflection on the academists’latent cultural crisis after the 1990s.

关 键 词：左翼文学精神 学院派 新启蒙 再解读 文化危机 

分 类 号：I206.7[文学—中国文学]