门胁广文的《文心雕龙》研究  

On Menwaki Hirofumi’s Study of The Literary Mind and the Carving of Dragons

作　　者：戚良德[1] 杨嘉璐 QI Liangde;YANG Jialu

机构地区：[1]山东大学儒学高等研究院,济南264025

出　　处：《广东外语外贸大学学报》2020年第5期15-26,37,157,共14页Journal of Guangdong University of Foreign Studies

基　　金：国家社会科学基金一般项目“《文心雕龙》日本百年传播史研究”(16BZW032)。

摘　　要：门胁广文的研究主要围绕《文心雕龙》的体系性展开,提出了"根本性思考样式"理论,即认为支撑《文心雕龙》体系性、藏于《文心雕龙》基本思想背后的是"‘本质’→‘现象’理论"。他通过提出"根源倾向""全体倾向""智慧的彻底性"的概念、考察"文体总论"和"文体各论"的展开、总结刘勰的"世界观""人类观""文章观"等,最终阐明了"文学原论"的建立也符合"根本性思考样式"理论。门胁广文还引入了"构造层面"和"创作层面"的概念,指出《辨骚》篇是从文章世界的"构造层面"到创作多样性作品的"创造层面"的动力源。Centered on the system of The Literary Mind and the Carving of Dragons,Menwaki Hirofumi proposes the Theory of Fundamental Thinking Style,namely,the phenomenon-essence supporting the work and underlying the basic ideas.By coming up with such concepts as root tendency,whole tendency and thoroughness of wisdom,he explores the stylistics of the book and thereupon summarizes the world view,human view and text view of Liu Xie,which illustrates that building literary theory be in line with the Fundamental Thinking Style.Besides,Menwaki Hirofumi also introduces the concepts of structural level and creative level to analyze the motivation of the chapter entitled"Bian Sao".

关 键 词：《文心雕龙》 门胁广文 根本性思考样式 

分 类 号：I313.099[文学—其他各国文学]