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作 者:颜红菲 YAN Hongfei
出 处:《广东外语外贸大学学报》2020年第5期80-91,159,共13页Journal of Guangdong University of Foreign Studies
基 金:国家社会科学基金项目一般项目“文学地理学视阈下华兹华斯诗歌的地理书写研究”(17BWW063);江苏高校哲学社会科学研究重大项目“欧美地理批评理论与实践研究”(2019SJZDA112)。
摘 要:在当下的批评语境中,常常会出现因为对意识形态话语的过度阐释而在一定程度上忽视了对作品的艺术性的理解的倾向,导致诗性层面上审美体验的缺失。小说《我的安东尼娅》极大地赋予了景观以叙事功能,通过体验式景观、情境化景观、象征性景观的叙事描写,用以塑造人物、表达情感、推进叙事、传达意义,从而丰富了艺术的表现力,使小说形式和内容成为不可分割的有机整体,形成一种隽永优美、意境深远的艺术风格。In the current critical context,there is often a tendency to ignore the artistic understanding of works due to the over-interpretation of ideological discourse,which leads to the lack of aesthetic dimension in the literary critical practice.Taking landscape narration as the breakthrough point and through the analysis of a large number of landscape descriptions,this article tries to combine the meaning interpretation and aesthetic criticism,and points out that landscape in My Antonia plays great narrative function to shape the character,express emotion,promote narrative and convey meaning,so as to enrich the expressive force and make the novel form and content an organic whole,and this leads to form an elegant,far-reaching and meaningful artistic style.
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