先秦文论“象”范畴演进的三种路径  

Three Approaches to the Evolution of the Category of“Xiang”in Pre-Qin Literary Theory

作　　者：李安竹 LI An-zhu(School of Humanities,Zhujiang College,South China Agricultural University,Guangzhou,Guangdong 510000,China)

机构地区：[1]华南农业大学珠江学院人文学院,广东广州510000

出　　处：《长江师范学院学报》2020年第5期13-19,125,共8页Journal of Yangtze Normal University

基　　金：广东省高校重点科研平台和重大科研项目“岭南大象的文化遗存形态研究”(2016WTSCX138)。

摘　　要：目前学界对先秦时期“象”范畴的研究略显薄弱,因此对先秦时期“象”范畴的演进路径进行探讨。认为“象”源自先民的“尚象”意识,经《易传》对筮占兆象的哲学引申、老庄对道体和语言的探讨、孔子以降对诗歌意义与修辞的相关批评,逐渐演变成具有本体意义的“象”范畴,后成为古代文论元范畴之一。对先秦时期“象”范畴演进的探讨,有利于先秦文论的建构,对中国古典意象理论的研究也具有深化意义。At present,academic researches on the category of“Xiang”in the pre-Qin period seem to be slightly weak.This paper attempts to discuss the evolution path of the category of“Xiang”in the pre-Qin pe⁃riod.The author of the paper believes that“Xiang”originated from the ancestors’consciousness of“worship of Xiang”which gradually evolved into the meta category of ancient literary theory with ontological signifi⁃cance through the philosophical extension of divination in Yizhuan,the exploration of“Tao”and the language by Laozi and Zhuangzi,and the related criticism of the meaning and rhetoric of The Book of Songs since Con⁃fucius.Exploring the evolution of the category of“Xiang”in the pre-Qin period is conducive to the construc⁃tion of pre-Qin literary theory and is of significance for deepening the study of classical Chinese imagery theory.

关 键 词：《易传》 老庄 儒家 

分 类 号：I206[文学—中国文学]