士族优越感与蛮荒逃离欲——柳宗元“京华北望”情结的文化意味  

A Sense of Superiority of the Sage and the Desire to Escape from Barbarism——On the cultural implications of Liu Zongyuan’s“Look North to the Capital”complex

作　　者：陈文畑[1] CHEN Wentian(College of Liberal Arts,Guangxi Normal University,Guilin 541006,Guangxi,China)

机构地区：[1]广西师范大学文学院,广西桂林541006

出　　处：《咸阳师范学院学报》2020年第5期95-99,共5页Journal of Xianyang Normal University

基　　金：广西研究生教育创新计划项目(XYCBZ2019001)。

摘　　要：“京华北望”在柳宗元南贬后的抒情文字中频繁出现,是其乡愁的情境表征。柳宗元的乡愁在唐代文士中具有特殊的文化意味,其乡愁并非仅仅由于仕途失意和遥远的地理距离,同时也源于一落千丈的文化落差,隐含的实质是强烈而无法愿遂的蛮荒逃离欲。这种欲望的根源在于他作为文化望族之后、士族精英以及京华人士的优越感。柳宗元借山水愉情以消弭远谪之苦,是效仿谢灵运以寻求精神上的解脱。“Look north to the capital”complex often appears in the lyrical words after Liu Zongyuan’s banishment to the south,which is a situational manifestation of his nostalgia for his hometown.The nostalgia of Liu Zongyuan has a special cultural meaning among the literati of the Tang Dynasty.His nostalgia is not only due to the frustration of his official career and the distant geographical distance,but also from the cultural gap,which is a strong and unfulfilling desire to escape from barbarism.This desire was rooted in his sense of superiority as a member of a prestigious cultural family,the scholarly elite and the people of the capital.Liu Zongyuan unleashed the emotional pain from banishment by traveling in the mountains to enjoy himself through following the example of Xie Lingyun in quest for spiritual liberation.

关 键 词：柳宗元 士族 京华 乡愁 文化意味 

分 类 号：I207.2[文学—中国文学]