马克·吐温短篇小说的互文解读  

Intertextuality of the Short Stories by Mark Twain

作　　者：陈琪[1] CHEN Qi(School of General Education, Liming Vocational University, Quanzhou 362000, China)

机构地区：[1]黎明职业大学通识教育学院,福建泉州362000

出　　处：《黎明职业大学学报》2020年第3期25-28,共4页Journal of LiMing Vocational University

基　　金：教育部人文社会科学研究青年基金项目(16YJC740042)。

摘　　要：马克·吐温短篇小说的互文现象形成作品独特的叙事风格,反映作品特有的幽默艺术和批判现实主义艺术。具体可以从元叙述互文、题材互文、叙述模式互文及文内互文4个方面进行解读。元叙述互文反映作者在文本叙事的存在,显现一种后现代性;题材互文体现作者对某一类社会现象的洞察和批判;叙述模式的互文体现作者擅长以“讲故事”形式达到夸张、幽默的艺术效果;文内互文强化了主题表达,也体现作者善于对文本吸引力的把握。Intertextuality of the short stories by Mark Twain is the unique narrative style of his works,a reflection of the special humorous art and critical realism.It is interpreted in four aspects:meta-story narrative intertextuality,intertextuality of subject matters,intertextuality of narrative modes and inter-textual intertextuality.Meta-story narrative intertextuality presents the existence of the author in textual narration,revealing a hint of postmodernism;intertextuality of subject matters is a refection of the author’s insights into and criticism of certain social phenomena;intertextuality of narrative modes shows how good the author’s excellence in reaping exaggeration and humor in the form of“telling stories”;inter-textual intertextuality confirms the conveyed subjects and embodies how marvelous the author is to make the text attractive.

关 键 词：互文性 马克·吐温 短篇小说 

分 类 号：I106.4[文学—世界文学]