徐志摩诗歌的美学研究——基于音乐化视角  

Aesthetic Research on XU Zhi-mo's Poetry——Based on the Perspective of Musicalization

作　　者：赵彩燕 ZHAOCai-yan(Lishi Normal School of Lvliang University,Lvliang Shanxi,033000,China)

机构地区：[1]吕梁学院离石师范分校,山西吕梁033000

出　　处：《齐齐哈尔师范高等专科学校学报》2020年第5期46-48,共3页Journal of Qiqihar Junior Teachers College

摘　　要：徐志摩在继承中国古典诗歌格律的基础上,借鉴与吸收西方英文诗歌的韵式与跨行等创作手法,对现代汉语诗歌进行创新性改造,使其具有音乐性与节奏性上的美感。在诗歌内部,徐志摩通过头韵、内韵与尾韵的结合,将有韵与无韵在诗歌中相互杂糅;在诗歌外部,通过诗行模式的变化与跨行书写为诗歌的外形赋予节奏性的美感。Xu Zhi-mo,on the basis of inheriting the Chinese classical poetry,borrowed and absorbed the Western English poetry's rhyme and cross line creation techniques,and innovated the modern Chinese poetry to make it have the aesthetic feeling of musicality and rhythm.In the inner part of the poem,Xu Zhi-mo mixes rhyme and non-rhyme in the poem through the combination of alliteration,inner rhyme and final rhyme;in the outer part of the poem,he endows rhythmic beauty to the shape of the poem through the change of line pattern and cross line writing.

关 键 词：徐志摩 现代诗歌艺术 头韵与内韵 音乐美 韵律与节奏 

分 类 号：I206.6[文学—中国文学]