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作 者:李军[1] Li Jun(The Rese arch Centre of Gan&Hakka Dialects and Linguistic Application,Nanchang University,Nanchang Jiangxi 330031)
机构地区:[1]南昌大学客赣方言与语言应用研究中心,江西南昌330031
出 处:《语言科学》2020年第4期353-365,共13页Linguistic Sciences
基 金:2017年度国家社科基金重大项目(项目号:17ZDA302);2015年度国家社科基金项目(项目号:15BYY102);2017年度国家社科基金项目(项目号:17BYY017)阶段性成果之一。
摘 要:《太古元音》是一部在《直图》基础上,部分参考《横图》,以“原、转”“正、变”“正、闰”“虚、实”理论,力图反映“一切谚言、天籁之音”的等韵著作。论文指出,该书韵图内容复杂性的根源,在于韵图编撰方式、韵图内容的传承性与反映理想化观念性语音,尤其是反映现实语音本质要求的矛盾;该书等韵理论大部分是建立在调和实际语音与韵图语音以及理想化观念性语音矛盾的基础上的,是准确深入研究韵图实际语音的关键与重要依据。Tai Gu Yuan Yin《太古元音》is a book of the study of rhyme tables which was edited based on Zhi Tu(直图)and partly referenced on Heng Tu(横图)in order to reflect all the sounds of the human as well as the nature by using the terms such as yuan(原)/zhuang(转),zheng(正)/bian(变),zheng(正)/run(闰)and xu(虚)/shi(实).Analyzed the relationship of the inheritance and innovation between the rhyme tables of the Tai Gu Yuan Yin and zhi tu,and interpreted the theories of the book,the paper points out that the origin of the superficial complexity of the rhyme tables in the book is the contradiction of the inheritance methods of compiling the rhyme tables with the essential requirement to reflect the idealized speech system,especially to reflect real phonology,and most of the theories of the book were designed to reconcile the contradiction,which are the Keys and important basis to study the real phonology of the book precisely and deeply.
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