浅谈永乐宫壁画《朝元仙仗图》神仙类汉服对新中式服装设计的启示  

A brief discussion on the enlightenment of immortals and Hanfu to the designof new Chinese style of Yongle Palace murals

作　　者：陈一然 Chen Yiran(Guangdong Polytechnic,Foshan 528000,China)

机构地区：[1]广东职业技术学院,广东佛山528000

出　　处：《纺织报告》2020年第7期108-110,共3页

摘　　要：近年来,随着国家发展越来越好,人们生活品质也得到显著提高,越来越多的人开始注意精神层面的需求,其中也包括传统文化和服饰的需求。受当代民间自发兴起的“汉服复兴运动”的影响,近几年,汉服越来越多地出现在我们的日常生活当中。文章引述永乐宫壁画中的《朝元仙仗图》的目的是从画中服饰窥探当时人类对道教所指的神仙境界的遐想及其对当代新中式服装设计的启示。In recent years,the national development is getting better and better,people’s quality of life has also been significantly improved,more and more people began to pay attention to the spiritual needs,including the needs of traditional culture and clothing.Influenced by the spontaneous rise of contemporary folk“Hanfu Revival Movement”,in recent years,Hanfu has appeared more and more in our daily life.The purpose of this paper is to explore the human reverie to the immortal realm of Taoism and its enlightenment to the new Chinese clothing design.

关 键 词：汉服 汉服复原 神仙类汉服 永乐宫壁画 新中式服装设计 

分 类 号：J821.5[艺术—戏剧戏曲]