吴锡堂身份考论兼谈其艺术造诣  

Textual Research on Wu XitangS Identity and His Artistic Attainments

作　　者：吴冰[1] WU Bing(School of Arts,Renmin University of China,Beijing 100872)

机构地区：[1]中国人民大学艺术学院,北京100872

出　　处：《艺术百家》2020年第4期174-180,230,共8页Hundred Schools In Arts

摘　　要：清末宫廷画家吴锡堂,善长花鸟画、人物画、玻璃画,他将工笔与写意、宫廷富丽堂皇的审美与文人超脱野逸的书卷气有机结合,形成个人独特的艺术风格。吴锡堂借用传统的仕女画技法,以外来的玻璃为新媒介,实现了玻璃画的中国化。在摄影风格上,他坚持民族特色,与同时期俄罗斯、日本的摄影艺术高度比肩。20世纪初至40年代,吴锡堂自京城北上至哈尔滨,从事创作和教学30余年,其绘画技法及艺术思想影响至今,同时也填补了黑龙江流域中国画创作的空白。At the end of the Qing Dynasty,the court painter Wu Xitang was good at flower and bird paintings,figure paintings and glass paintings.His distinctive Characteristics lie in combining meticulous brushwork with freehand brushwork,and organically combined the magnificent aesthetic of the court with the book atmosphere of the literati,forming his unique artistic style.He borrowed the traditional techniques of ladies'painting,and took the foreign glass as a?new medium,realized the sinicization of glass paintings.In terms of photographic style,he insisted on national characteristics,which was comparable to the photographic level of Russia and Japan at the same period.From the beginning of the last century to the 1940s,Wu Xitang went north from the capital to Harbin,he worked there for 30 years in art creation and teaching.His painting techniques as well as his artistic thoughts have influenced us till now,and his artistic works have filled the blank of Chinese painting creation in the Heilongjiang river basin.

关 键 词：吴锡堂 吴葆祯 东莱 如意馆画家 

分 类 号：J20[艺术—美术]