传统民间图案的美学意蕴与设计指向--以鹿石图案为例  

the Aesthetic Connotation and Design Direction of Folk Traditional Patterns:Take the Deer Stone Pattern as an Example

作　　者：张冠男[1] ZHANG Guan-nan(School of Arts,Jiangxi University of Finance and Economiecs,Nanchang,Jiangxi 330013)

机构地区：[1]江西财经大学艺术学院,江西南昌330013

出　　处：《艺术百家》2020年第4期204-209,230,共7页Hundred Schools In Arts

摘　　要：鹿石图案是亚欧草原游牧民族在长期游牧、迁徙、生产的漫长岁月中形成的传统民间图案,体现了游牧民族的文明演进历史、民族文明特质、民族文化风貌等,是游牧民族文化的重要载体。鹿石图案重视点线组合和秩序感,相对写实与风格化夸张的形式并存,生动而深刻地塑造出鹿的动态形象,凸显出游牧民族鹿石图案厚重的艺术底蕴,表现了崇拜和征服并存、自然镜像和人格想象相融合、形象美和语言美相融合等美学意蕴"鹿石图案能给设计实践活动提供实用效能、和谐统一、多元装饰、传承创新等设计指向。因此应该重视鹿石图案在设计中的地位和价值。The design of deer stone is the folk traditional pattern formed by the nomadic peoples in the steppe of Asia and Europe in the long period of time of nomadism,migration and production.It embodies the evolution history of nomadic civilization,the characteristics of national eivilization,the style of national culture and so on,and is an important carrier of nomadic culture.The deer stone patterm attaches great importance to the combination of points and lines and the sense of order,comparative realism and stylized hyperbole coexist which vividly and profoundly shapes the dynamics of the deer,highlight the thick artistic background of nomadic peoples deer stone pattern.This shows the coexistence of worship and conquest,the integration of natural mirror and personality imagination,the integration of beauty of shape and beauty of language,and so on.It can provide practical efficiency,harmony and unity,diversified decoration,inheritance and innovation design direction for design practice.Therefore,we should atach importance to the status and value of deer stone patterm in design.

关 键 词：传统民间图案 蒙古鹿石 艺术特征 美学意蕴 设计指向 

分 类 号：J50[艺术—艺术设计]