“层次感”在卡洛·斯卡帕建筑中的体现  

Gradation Sense in Carlo Scarpa's Architecture

作　　者：李子昂 程建军[1] 唐思彧 Li Zi'ang;Cheng Jianjun;Tang Siyu

机构地区：[1]华南理工大学建筑学院 [2]中国金茂控股集团有限公司

出　　处：《华中建筑》2020年第11期1-7,共7页Huazhong Architecture

摘　　要：该文以“层次感”为切入点,对卡洛·斯卡帕的代表性建筑进行解读。结合具体案例和现有研究成果,分别从时间、空间、观感和节点四个方面探讨了“层次感”在斯卡帕作品中的体现:以并置历史不同阶段元素的方法展现时间层次感;以营造秩序感和“借景”的方法体现空间层次感;以规划流线对核心空间反复体验的方法达到观感的层次感;以叠加材质或丰富形体造型展示节点的层次感。层次感是斯卡帕建筑中一以贯之的设计意图,也是其实现建筑整体性的途径之一。Taking the"Gradation Sense"as the starting point,we interpret the representative works of Carlo Scarpa.Based on specific cases and existing research results,we discuss the embodiment of"Gradation Sense"in Scarpa's works from four aspects:time,space,sight and node.Displaying time gradation by juxtaposing elements of different stages of history,reflecting space gradation by creating sense of order and borrowing scenery,experiencing the core space repeatedly by planning streamlines to achieve sight hierarchy;designing superimpose material or rich shapes to show gradation of the node."Gradation Sense"is the consistent design intention of Carlo Scarpa,and it is also one of the ways to realize the architectural integrity.

关 键 词：卡洛·斯卡帕 建筑层次感 展览建筑 设计方法 

分 类 号：TU-02[建筑科学—建筑理论]