论苇岸的乡土自然写作  

On Wei An’s Local Nature Writing

作　　者：邓小燕[1] Deng Xiaoyan

机构地区：[1]中国人民大学文学院,北京100872

出　　处：《鄱阳湖学刊》2020年第5期73-82,127,共11页Journal of Poyang Lake

摘　　要：苇岸是中国最彻底的梭罗主义者。在自然和乡村风景急速消失,生态问题日益严峻的当下,苇岸继承了梭罗自然文学的文明批判精神。但与美国自然文学以荒野作为文明批判的武器有所不同的是,苇岸特别重视乡村的意义。他的写作确认了乡土中国自然面向的文学价值,这使其既有别于以现代化为目标的乡土文学传统,又不同于当前沉溺于表现乡村治理失序和经济崩溃的挽歌悲调。自然和乡土的结合,激活了乡土文学潜在的对现代化的批判力。Wei An was Thoreau’s firmest believer in China.Confronted with the rapid disappearance of natural and rural landscapes and increasingly severe ecological problems,Wei An inherited the spirit of criticizing civilization in Thoreau’s nature writing.But unlike American nature writing which uses wilderness as a weapon of criticism against civilization,Wei An paid special attention to the meaning of the countryside.His writing confirms the literary value of the natural part in rural China,which makes it different from the local literary tradition aimed at modernization,and different from the current elegiac tone of indulging in the disorder of rural governance and economic collapse.The combination of nature and rural areas has activated the potential of local nature literature in its power of criticizing modernization.

关 键 词：苇岸 梭罗 自然文学 生态主义 乡土中国 

分 类 号：I206.7[文学—中国文学]