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作 者:吴铁 朱利民[2] WU Tie;ZHU Li-min(School of New Media Art, Xi’an Polytechnic University, Xi’an 710048, China;Xi’an Academy of Social Sciences, Xi’an 710054, China)
机构地区:[1]西安工程大学新媒体艺术学院,陕西西安710048 [2]西安市社会科学院,陕西西安710054
出 处:《西北大学学报(哲学社会科学版)》2020年第6期105-114,共10页Journal of Northwest University:Philosophy and Social Sciences Edition
基 金:2020年度西安市社会科学规划基金重点项目(WL06)。
摘 要:陕西唐代帝陵狮子石雕是丝绸之路中国段的历史文化遗存,见证了丝绸之路沿线国家、地区各自的文明进程,再现了唐朝与中亚、西亚甚或更远的欧洲、非洲长期友好交往的立体场景。只有彻底弄清狮子进入中国、成为唐代帝陵神道两侧列置狮子石雕的深层原因,才能探究唐代文化与外来文化交互发展的脉络,了解唐代狮子石雕文化元素的多样性,进而助推唐代外来文化研究走向深入。The Tang Stone lion figures found in Shaanxi province are significant historical heritages along the Silk Road section in China.As unique cultural creatures,they witness the course of different civilizations along the Silk Road and recreate the history of friendly exchanges of Sino-Central Asia,Sino-West Asia,and even Sino-Europe,Sino-Africa in Tang Dynasty.In order to better understand the development of these mutual cultural exchanges in Tang Dynasty,it is necessary to clarify the deeper causes why stone lion figures lining the Sacred Way were placed during the Tang Dynasty.As a result,in search for the cultural elements within the stone lion figures,particularly including their backgrounds and variety,the author believes that the study of foreign culture in Tang Dynasty will go further and deeper.
分 类 号:K877.4[历史地理—考古学及博物馆学]
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