冷色调的运用与姜夔词清空骚雅风格的形成  

The Tone and Style of Jiang Kui’s Ci Poetry

作　　者：向娜[1] XIANG Na(School of Humanities,Hunan city university,Yiyang,Hunan 413000,China)

机构地区：[1]湖南城市学院湘学研究院湖南城市学院研究基地,湖南益阳413000

出　　处：《城市学刊》2020年第5期88-92,共5页Journal of Urban Studies

摘　　要：姜夔词清空骚雅,且历来被认为格调最高,这种风格面貌与其词在用色上偏爱冷色调有密切关系。姜夔词中,整体偏于冷色调的作品超过70%,其中全部由冷色调意象构成的作品接近30%,表现出对冷色调的强烈偏爱。偏冷的色彩能够在视觉上产生清冷的效果,并使作品表现的空间显得更加开阔,有助于清空词境的形成。同时,冷色调的颜色也能在心理上产生疏离的效果,使作品的意境具有绝尘远俗的特征,从而使词的格调显得更高。因此,明显的冷色调是姜夔词清空骚雅及高格调形成的重要原因。The style of Jiang Kui’s Ci poetry has always been considered as"Qing Kong Sao Ya",and among the Ci poetry writers in Tang and Song dynasty,Jiang Kui was rated as the most elegant one.Partly,it was related to his preference of the cold tone in color.In his creations,72%of all the works are inclined to cool colors,among these works,that contents only the cold-tone image are also account for 30%,showing a strong preference for the cold tone.Cold colors can produce a chilling effect and expand the space visually,thus contributing to the formation of"Qing Kong",Jiang Kui’s main and best-known style.Besides,cold color can also produce psychological alienation effects,which create an attitude of elegant indifference that lead to an elegant style.Therefore,the obvious cool color is an important reason for the formation of the elegant style in Jiang Kui’s Ci poetry.

关 键 词：姜夔 词 冷色调 清空骚雅 格调 

分 类 号：I207.23[文学—中国文学]