戏中百态 伏线千里——《红楼梦》第五十四回戏曲意义之探讨  

Discussion on the Significance of the 54th Episode in a Dream of Red Mansions

作　　者：苏晓龙 SU Xiaolong

机构地区：[1]北京大学艺术学院,北京100000

出　　处：《浙江艺术职业学院学报》2020年第2期47-53,共7页Journal of Zhejiang Vocational Academy of Art

摘　　要：《红楼梦》中,曹雪芹常对戏曲有着大量的描写并通过戏曲来为人物和故事情节埋下伏笔。第五十四回描写了贾府阖家欢庆元宵节,是全书中出现戏曲曲目最多的一个章回,共八出。作者借这八出戏反映出明清戏曲在当时的流行程度,刻画人物性格,推进情节发展,凸显剧中人物的审美品位,增加人物间对话的趣味性。其中,《八义》虽为一笔带过,但《八义》中的诸多细节与本章回的内容有着密切的联系,同时,《八义》和《一捧雪》在主要人物设置上的相似性也为《红楼梦》中甄贾宝玉的关系埋下了重要伏笔。In a Dream of Red Mansions,Cao Xueqin often gave a lot of descriptions of opera,which was then used to carry foreshadowing of the characters and storylines.The fifty-fourth episode described the celebration of Lantern Festival in the Jia Residence,which is the episode with the most dramas in the book,total 8 of them.By the descrip⁃tion of the 8 operas,the author tended to reflect the popularity of operas in the Ming and Qing Dynasties,portray the personality of the characters,promote the development of the plot,highlight the aesthetic taste of the characters in the play,and enhance the color of dialogue between characters.Among them,although Bayi was slightly described,but the details in Bayi are closely related to the contents of this episode.At the same time,the similarity between Bayi and a Handful of Snow in the setting of main characters also laid an important foreshadowing of the relationship between Jia Baoyu in a Dream of Red Mansions.

关 键 词：红楼梦 戏曲 伏笔 甄宝玉 贾宝玉 

分 类 号：J804[艺术—戏剧戏曲]