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作 者:冀晋华 Ji Jinhua(Tongji University,Shanghai 200090)
机构地区:[1]同济大学,上海200090
出 处:《呼伦贝尔学院学报》2020年第5期66-68,113,共4页Journal of Hulunbuir University
摘 要:况周颐作品中有不少伤春之作,延续和发展了伤春文学的传统。少年时多是性灵语,主要是借伤春来表达男女之间的相思哀怨或是自己一时兴起的闲愁别怨;中年时一方面因为中日甲午战争,而有许多感时忧国之作;晚年时因遭遇“三千年未有之变局”,伤春词中多寄托了国家的危亡和历史的兴衰。况周颐甲午以后的伤春词可被视为史词,所写的不只是个人一己之愁思,而是有时代的盛衰作为背景,具有广阔的历史格局。Kuang Zhouyi's works include many works that mourning spring,Mourning spring spiritual language,mainly to express the lovesickness and grievances between men and women or their own spontaneous sorrows by hurting the spring;in middle age,on the one hand,because of the Sino-Japanese Sino-Japanese War of 1894-1895,there were many works of time and worry about the country;In his later years,due to the"changes unseen in three thousand years",most of the sorrowful poems pinned the country's peril and the historical rise and fall.Kuang Zhouyi’s poems about hurting spring after the Sino-Japanese War of 1894-1895 can be regarded as historical poems.It is not only about personal melancholy,but has a broad historical pattern with the rise and fall of the times as the background.
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