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作 者:邹卓凡 Zou Zhuofan
机构地区:[1]北京舞蹈学院音乐剧系
出 处:《戏剧(中央戏剧学院学报)》2020年第5期75-85,共11页Drama:The Journal of the Central Academy of Drama
摘 要:本文以契诃夫多幕剧和易卜生中晚期戏剧为研究对象,从契诃夫对易卜生戏剧的"负面"评论谈起。由契诃夫对易卜生作品中"戏剧性"呈现方式的不同观点,引出二者在叙事结构上的差异。通过比较二者戏剧艺术呈现方式的异同,阐释两位剧作家作品的内外部结构、时空结构和叙事结构的运动方式,并在此基础上总结出他们的叙事结构模式及其相关变形的特征和内涵。This article takes Chekhov’s full-length plays and Ibsen’s plays in his middle and late years as the research object,and starts from Chekhov’s"negative"comments on Ibsen’s plays.From Chekhov’s different thoughts to"dramatic"presentation in Ibsen’s plays,the differences in their narrative structure are revealed.By comparing the similarities and differences of their presentation of dramatic arts,this article explains the internal and external structure,space-time structure and the movement of narrative structure of their plays,and on this basis,their narrative structure mode,and the characteristics and connotation of relevant deformation are summarized.
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