论20世纪30至40年代于伶对中国电影的贡献  

On Yu Ling’s Contribution to Chinese Film in the 1930s and 1940s

作　　者：候雅涵 Hou Yahan

机构地区：[1]南京大学文学院

出　　处：《戏剧（中央戏剧学院学报）》2020年第5期147-157,共11页Drama:The Journal of the Central Academy of Drama

基　　金：国家社会科学基金重大项目“中国现代电影文学资料发掘、整理与资源库建设”(项目编号:18ZDA262)阶段性成果。

摘　　要：20世纪30至40年代是上海的"孤岛时期",影剧家于伶能够让自己在险恶的环境中成长为一名"孤岛斗士",是为传奇。他戏剧创作及剧评成绩斐然毋庸置疑,而彼时他在电影作品创作、电影评论,尤其是其数篇影评文章,对我国早期电影创作方法和创作风格的确立,同样有着不容忽视的深度影响。于伶电影方面的成就主要包括其发表在《申报》的《电影专刊》专栏、《电通画报》《联华画报》上的影评文章;香港"光复"初期的粤片评论工作及影评文章;以及《无名氏》《聂耳》等电影剧本的创作。In the 1930s and 1940s,Shanghai was an"isolated island".It was a legend that Yu Ling,a film and drama artist,could make himself grow up into an"isolated island fighter"in the dangerous environment.Undoubtedly,he made great achievements in drama creation and drama review.His film creation,film review,especially his several film reviews,also had a profound impact on the establishment of early film creation methods and creative styles in China.Yu’s achievements in film mainly included his film reviews published in Film Special Issue,Diantong Pictorial and Lianhua Pictorial,his Cantonese film reviews and film reviews in the early stage of Hong Kong’s"Recovery"period,as well as his film scripts such as The Anonymous and Nie Er.

关 键 词：于伶 左翼电影 电影评论 

分 类 号：J90[艺术—电影电视艺术]