脱胎漆器胎骨发展略考  

A Brief Study of the Development of Fetal Bone of Bodiless Lacquerware

作　　者：蒋雪洁 JIANG Xuejie(School of Art and Design, AHUT, Ma’anshan 243002, Anhui, China)

机构地区：[1]安徽工业大学艺术与设计学院,安徽马鞍山243002

出　　处：《安徽工业大学学报（社会科学版）》2020年第4期55-57,共3页Journal of Anhui University of Technology：Social Sciences

摘　　要：中国漆器艺术源远流长。漆从最早对胎体的保护作用、装饰作用,到后来逐步演变成可以独立造物,这是漆艺发展中的重要蜕变。夹纻漆器的出现,打破了漆器主体造型的局限性,扩大了大漆的使用范围;清代脱胎漆器得以传承创新,使漆艺从平面、日用等方面摆脱出来,有了走向立体空间造型的可能。Chinese lacquer art has a long history.Lacquer’s functions gradually evolved from the earliest protection of the body,decoration to independent creation,which is an important change in the development of lacquer art.The appearance of jiadi lacquerware broke the limitation of the main body shape of lacquer ware and expanded the use scope of lacquer.The Qing Dynasty’s bodiless lacquerware was inherited and innovated,which made the lacquer art get rid of plane and daily use,and it was possible to move towards three-dimensional space modeling.

关 键 词：脱胎漆器 夹纻胎 胎骨 

分 类 号：G642.0[文化科学—高等教育学]